The end of the phrase is called the cadence. The phrase is what measures the beginning and ending of a melodic unit, as well as the point of departure for the next. Most important, the phrase is perceived as a unit of musical thought like a sentence or clause, and it generally implies that another phrase is to follow unless it shows a certain amount of finality. The phrase shows a certain regularity in its number of measures, which is usually four to eight. To provide a little bit of definition, let’s turn to Walter Piston’s text, Harmony once again:Ī musical phrase can best be defined by analogy: the phrase in music is comparable to the line in rhymed verse. Today we’re going to delve a little deeper into musical phrases and two other common types of cadences. Last time out we started with tonality and the use of the V to I cadence. It is intended solely for private study, scholarship or research. These files are the author’s own work and represents his interpretation of the song. First, how about that disclaimer (you know, the one I remembered to mention but not to write last time!)? This page is going to be for you, after all. If you have any input for this project, please email me directly at and I will be more than happy to take your advice into consideration. With a little luck, and a lot of work, it will up sometime later this summer. COMING ATTRACTIONS ALERT (part 2): (and I bet you thought I was kidding when I said we’d pick up “right where we left off…”) Due to an overwhelming demand, Paul and I are going to be revamping a few things in order to bring you a new and (hopefully) vastly improved Scales and Modes page.
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